PROJECT TITLE: GUESTS OF THE EMPEROR
FORMAT: Feature Film
GENRES: Historical War Drama
PERIOD: World War II
SETTING: Prisoner-of-war camp
BUDGET: Low/Medium
DURATION: 2 hrs 28 min. (137 pages)
LOG LINE: Inspired by actual events, this story follows an American officer, Allied POWs, and courageous Chinese captives who endure harsh conditions in a Japanese-occupied camp in China. Together, they unite to confront their ruthless adversary, a sadistic Japanese American officer.
STORY ORIGIN: Source materials are from POW journals at Library of Congress.
COMPARISONS: UNBROKEN (2014), THE GREAT ESCAPE (1963),
THE BRIDGE ON THE RIVER KWAI (1957)
AUDIENCE: Males under 25
REGISTERED: U.S. Copyright ©1-1312748011 and WGA #2043810
BENEFITS: • Hengdian World Studios, China has +100 period movie sets, over 300 experienced production crews, authentic props and wardrobes, and supporting cast that provide substantial production costs and labor savings.
• Insider access to China theatrical distribution market with MG exhibiting Hengdian Film Group’s 538 Cineplexes.
• 28-30% Maryland State Refundable Income Tax Credit
• 30% Australian Tax Rebate (Post-production editing, VFX, animation.
SEEKING: Collaboration with Film Financing Producer.
AVAILABLE: Completed script, project proposal, China production budget, synopsis video, and pitch deck.
CONTACT: Douglas Ross, Producer, Writer dsross007@mac.com
Guests of the Emperor
In the throes of World War II, a brave American officer, a British MI6 agent, and a diverse group of POWs endure the brutalities of Japanese prison camps, where they must navigate complex relationships with their captors and local populace, and fight for survival through acts of subtle rebellion and sabotage, all while grappling with the harsh realities of war and its devastating aftermath
Genre: War, Military Action, Historical film
The main storylines follow First Lieutenant William Anderson's journey from a family man in Maryland to a POW in Asia during World War II. It explores his experiences during the Bataan Death March, his time in various POW camps, and his eventual liberation. The narrative also delves into the lives of his fellow prisoners, their captors, and the local Chinese population, highlighting their struggles and acts of resistance against the Japanese forces.
The themes include survival, leadership, and human dignity amidst the brutality of war. It also explores the moral complexities and compromises faced by individuals during wartime, as well as the long-lasting impact of trauma and the quest for justice in the post-war period.
What makes this story unique is its focus on the lesser-known experiences of Allied POWs in Asia, particularly their interactions with the local Chinese population and the Japanese captors. The screenplay also highlights the historical context of Unit 731's war crimes and the moral ambiguities of post-war justice, offering a nuanced portrayal of the human cost of war.
The film opens with a dedication to those who fought against fascism, transitioning to the harrowing Bataan Death March in 1942, where First Lieutenant William "Bill" Anderson witnesses the brutal realities of war. Flashbacks reveal Anderson's life in Bethesda, Maryland, in 1941, where he struggles with his impending deployment to Manila, Philippines, and the strain it places on his family.
In Manila, Anderson mingles with fellow officers, including the sophisticated Major "Robert" Perry, a secret MI6 officer. Their camaraderie is interrupted by the news of Pearl Harbor's attack, thrusting them into the chaos of war. As Japanese forces advance, Anderson and his unit, including Sgt. Chapman and Cpl. Aliotto, face overwhelming odds at Lingayen Gulf. Anderson's inexperience leads to a panic-stricken retreat, resulting in his capture and participation in the Bataan Death March.
In captivity, Anderson and Perry endure brutal conditions, with Perry mentoring Anderson in leadership. They form alliances with fellow POWs, including the street-smart Chapman and the patriotic Sgt. Diaz. The prisoners face constant threats from sadistic guards like Lt. Murada, a Japanese-American with a vendetta against the U.S. The POWs engage in acts of sabotage at the Mitsubishi factory, aided by sympathetic figures like Lao Gao and engineer Yoshiro Kai.
As the war progresses, the prisoners' resilience is tested by harsh conditions and the looming threat of execution. An escape attempt by Chapman, Aliotto, and Meringold ends tragically, reinforcing the camp's oppressive atmosphere. Despite setbacks, the POWs continue their sabotage efforts, culminating in a chaotic bombing raid that devastates the camp and surrounding areas.
The film shifts to the liberation of the camp by OSS operatives, including Major Hennessy and Sgt. Kido, who confront Japanese officers and facilitate the POWs' release. The narrative explores the complex emotions of liberation, blending joy with the trauma of past experiences. Anderson and Perry, now free, reflect on their ordeal and the uncertain future.
The film concludes with Anderson's return home, where he struggles to reconnect with his family. Overwhelmed by his experiences, he admits his difficulty in expressing love. His daughter and wife reassure him, emphasizing their love and support. The film ends with Anderson's emotional reunion with his family, underscoring the enduring impact of war and the power of resilience and love.
iChinese.tv
Rockville, MD • 20851 • United States
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